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Spherical-Array-Processing

A collection of MATLAB routines for acoustical array processing on spherical harmonic signals, commonly captured with a spherical microphone array.

Archontis Politis, 2014

Department of Signal Processing and Acoustics, Aalto University, Finland

archontis.politis@aalto.fi

This library was developed during my doctoral research in the [Communication Acoustics Research Group] (http://spa.aalto.fi/en/research/research_groups/communication_acoustics/), Aalto, Finland. If you would like to reference the code, you can refer to my dissertation published here:

Archontis Politis, Microphone array processing for parametric spatial audio techniques, 2016
Doctoral Dissertation, Department of Signal Processing and Acoustics, Aalto University, Finland

Description <a name="description"></a>

This is a collection MATLAB routines that perform array processing techniques on spatially transformed signals, commonly captured with a spherical microphone array. The routines fall into four main categories:

  1. obtain spherical harmonic (SH) signals with broadband characteristics, as much as possible,

  2. generate beamforming weights in the spherical harmonic domain (SHD) for common signal-independent beampatterns,

  3. demonstrate some adaptive beamforming methods in the SHD,

  4. demonstrate some direction-of-arrival (DoA) estimation methods in the SHD,

  5. demonstrate methods for analysis of diffuseness in the sound-field

  6. demonstrate flexible diffuse-field coherence modeling of arrays

The latest version of the library can be found at

https://github.com/polarch/Spherical-Array-Processing

Detailed demonstration of the routines is given in TEST_SCRIPTS.m and at

http://research.spa.aalto.fi/projects/spharrayproc-lib/spharrayproc.html

The library relies in the other two libraries of the author related to acoustical array processing found at:

https://github.com/polarch/Array-Response-Simulator https://github.com/polarch/Spherical-Harmonic-Transform

They need to be added to the MATLAB path for most functions to work.

For any questions, comments, corrections, or general feedback, please contact archontis.politis@aalto.fi

Table of Contents

Microphone Signals to Spherical Harmonic signals [refs 1-4] <a name="mic2sh"></a>

The first operation is to obtain the SH signals from the microphone signals. That corresponds to two operations: a matrixing of the signals that performs a discrete spherical harmonic transform (SHT) on the sound pressure over the spherical array, followed by an equalization step of the SH signals that extrapolates them from the finite array radius to array-independent sound-field coefficients. This operation is limited by physical considerations, and the inversion should be limited to avoid excessive noise amplification in the SH signals. A few approaches are included:

The measurement-based approach is demonstrated using directional responses of an Eigenmike array [ref2], measured in the anechoic chamber of the Acoustics laboratory, Aalto University, Finland. The measurements were conducted by the author and Lauri Mela, summer 2013.

Signal-independent Beamforming in the Spherical Harmonic Domain [refs 5-10] <a name="sibeam"></a>

After the SH signals have been obtained, it is possible to perform beamforming on the SHD. In the frequency band that the SH signals are close to the ideal ones, beamforming is frequency-independent and it corresponds to a weight-and-sum operation on the SH signals. The beamforming weights can be derived analytically for various common beampatterns and for the available order of the SH signals. Beampatterns maintain their directivity for all directions in the SHD, and if they are axisymmetric their rotation to an arbitrary direction becomes very simple.

The following axisymmetric patterns are included in the library:

and some non-axisymmetric cases:

Signal-Dependent and Parametric Beamforming [refs 11-12] <a name="sdbeam"></a>

Contrary to the fixed beamformers of the previous section, parametric and signal-dependent beamformers use information about the signals of interest, given either in terms of acoustical parameters, such as DoAs of the sources, or extracted through the second-order statistics of the array signals given through their spatial covariance matrix (or a combination of the two)

The following examples are included in the library:

Direction-of-Arrival (DoA) Estimation in the SHD [refs 13-17]<a name="doa"></a>

Direction of arrival (DoA) estimation can be done by a steered-response power approach, steering a beamformer on a grid and checking for peaks on the power output [refs 13-14,16-17] or by a subspace approach such as MUSIC. Another alternative is to utilize the acoustic intensity vector [ref 15], obtained from the first-order signals, which its temporal and spatial statistics reveal information about presence and distribution of sound sources.

A few examples of DoA estimation in the SHD are included in the library:

Diffuseness and Direct-to-diffuse Ratio (DDR) Estimation [refs 18-22] <a name = "diffuseness"></a>

Diffuseness is a measure of how close a sound-field represents ideal diffuse field conditions, meaning a sound-field of plane waves with random amplitudes and incident from random directions, but with constant mean energy density, or equivalently constant power distribution from all directions (isotropy). There are measures of diffuseness that consider point to point quantities, here however we focus on measures that consider the directional distribution, and relate to the SHD. In the case of a single source of power $P_s$ and an ideal diffuse field of power $P_d$, diffuseness $\psi$ is directly related to the direct-to-diffuse ratio (DDR) $\Gamma = P_s/P_d$, with the relation $\psi = P_d/(Ps+Pd) = 1/(1+\Gamma)$. In the case of multiple sources $P_i$, an ideal diffuseness can be defined as $\psi = P_d/(P_d + \sum_i P_i)$ and DDR as $\Gamma = \sum_i P_i/P_d$. Diffuseness is useful in a number of tasks - for acoustic analysis, for parametric spatial sound rendering of room impulse responses (e.g SIRR) or spatial sound recordings (e.g. DirAC), or for constructing filters for diffuse sound suppresion.

The following diffuseness measures are implemented

Diffuse-field Coherence of Directional Sensors/beamformers [refs 8,23] <a name = "dfc"></a>

The diffuse-field coherence (DFC) matrix, under isotropic diffuse conditions, is a fundamental quantity in acoustical array processing, since it models approximately the second-order statistics of late reverberant sound between array signals, and is useful in a wide variety of beamforming and dereverberation tasks. The DFC matrix expresses the PSD matrix between the array sensors, or beamformers, for a diffuse-sound field, normalized with the diffuse sound power, and it depends only on the properties of the microphones, directionality, orientation and position in space.

Analytic expressions for the DFC exist only for omnidirectional sensors at arbitrary positions, the well-known sinc function of the wavenumber-distance product, and for first-order directional microphones with arbitrary orientations, see e.g. [ref18]. For more general directivities, [ref.8] shows that the DCM can be pre-computed through the expansion of the microphone/beamformer patterns into SHD coefficients.

References <a name="references"></a>

References mentioned in the code and the examples:

  1. Moreau, S., Daniel, J., Bertet, S., 2006, 3D sound field recording with higher order ambisonics-objective measurements and validation of spherical microphone. In Audio Engineering Society Convention 120.

  2. Mh Acoustics Eigenmike, https://mhacoustics.com/products#eigenmike1

  3. Bernsch?tz, B., P?rschmann, C., Spors, S., Weinzierl, S., Verst?rkung, B., 2011. Soft-limiting der modalen amplitudenverst?rkung bei sph?rischen mikrofonarrays im plane wave decomposition verfahren. Proceedings of the 37. Deutsche Jahrestagung f?r Akustik (DAGA 2011)

  4. Jin, C.T., Epain, N. and Parthy, A., 2014. Design, optimization and evaluation of a dual-radius spherical microphone array. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 22(1), pp.193-204.

  5. Elko, G.W., 2004. Differential microphone arrays. In Audio signal processing for next-generation multimedia communication systems (pp. 11-65). Springer.

  6. Zotter, F., Pomberger, H. and Noisternig, M., 2012. Energy-preserving ambisonic decoding. Acta Acustica united with Acustica, 98(1), pp.37-47.

  7. Koretz, A. and Rafaely, B., 2009. Dolph?Chebyshev beampattern design for spherical arrays. IEEE Transactions on Signal Processing, 57(6), pp.2417-2420.

  8. Politis, A., 2016. Diffuse-field coherence of sensors with arbitrary directional responses. arXiv preprint arXiv:1608.07713.

  9. Hafizovic, I., Nilsen, C.I.C. and Holm, S., 2012. Transformation between uniform linear and spherical microphone arrays with symmetric responses. IEEE Transactions on Audio, Speech, and Language Processing, 20(4), pp.1189-1195.

  10. Politis, A. and Pulkki, V., 2016. Acoustic intensity, energy-density and diffuseness estimation in a directionally-constrained region. arXiv preprint arXiv:1609.03409.

  11. Thiergart, O. and Habets, E.A., 2014. Extracting reverberant sound using a linearly constrained minimum variance spatial filter. IEEE Signal Processing Letters, 21(5), pp.630-634.

  12. Thiergart, O., Taseska, M. and Habets, E.A., 2014. An informed parametric spatial filter based on instantaneous direction-of-arrival estimates. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 22(12), pp.2182-2196.

  13. Park, M., and Rafaely, B., 2005. Sound-field analysis by plane-wave decomposition using spherical microphone array. The Journal of the Acoustical Society of America, 118(5), 3094-3103.

  14. Khaykin, D., and Rafaely, B., 2012. Acoustic analysis by spherical microphone array processing of room impulse responses. The Journal of the Acoustical Society of America, 132(1), 261-270.

  15. Tervo, S., 2009. Direction estimation based on sound intensity vectors. In 17th European Signal Processing Conference, (EUSIPCO 2009).

  16. Tervo, S., and Politis, A., 2015. Direction of arrival estimation of reflections from room impulse responses using a spherical microphone array. IEEE/ACM Transactions on Audio, Speech and Language Processing (TASLP), 23(10), 1539-1551.

  17. Delikaris-Manias, D., Pavlidi, S., Pulkki, V., and Mouchtaris, A., 2016. 3D localization of multiple audio sources utilizing 2D DOA histograms In European Signal Processing Conference (EUSIPCO 2016).

  18. Merimaa, J. and Pulkki, V., 2005. Spatial impulse response rendering I: Analysis and synthesis. Journal of the Audio Engineering Society, 53(12), pp.1115-1127.

  19. Ahonen, J. and Pulkki, V., 2009. Diffuseness estimation using temporal variation of intensity vectors. In 2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA).

  20. Politis, A., Delikaris-Manias, S. and Pulkki, V., 2015. Direction-of-arrival and diffuseness estimation above spatial aliasing for symmetrical directional microphone arrays. In 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).

  21. Gover, B.N., Ryan, J.G. and Stinson, M.R., 2002. Microphone array measurement system for analysis of directional and spatial variations of sound fields. The Journal of the Acoustical Society of America, 112(5), pp.1980-1991.

  22. Epain, N. and Jin, C.T., 2016. Spherical Harmonic Signal Covariance and Sound Field Diffuseness. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 24(10), pp.1796-1807.

  23. Elko, G.W., 2001. Spatial coherence functions for differential microphones in isotropic noise fields. In Microphone Arrays (pp. 61-85). Springer Berlin Heidelberg.